[Athens. The palace of THESEUS.]
[Enter THESEUS, HIPPOLYTA, PHILOSTRATE, Lords and Attendants]
'Tis strange my Theseus, that these lovers speak of.
More strange than true: I never may believe
These antique fables, nor these fairy toys.
Lovers and madmen have such seething brains,
Such shaping fantasies, that apprehend 5
More than cool reason ever comprehends.
The lunatic, the lover and the poet
Are of imagination all compact:
One sees more devils than vast hell can hold,
That is, the madman: the lover, all as frantic, 10
Sees Helen's beauty in a brow of Egypt:
The poet's eye, in fine frenzy rolling,
Doth glance from heaven to earth, from earth to heaven;
And as imagination bodies forth
The forms of things unknown, the poet's pen 15
Turns them to shapes and gives to airy nothing
A local habitation and a name.
Such tricks hath strong imagination,
That if it would but apprehend some joy,
It comprehends some bringer of that joy: 20
Or in the night, imagining some fear,
How easy is a bush supposed a bear!
But all the story of the night told over,
And all their minds transfigured so together,
More witnesseth than fancy's images 25
And grows to something of great constancy;
But, howsoever, strange and admirable.
Here come the lovers, full of joy and mirth.
[Enter LYSANDER, DEMETRIUS, HERMIA, and HELENA]
Joy, gentle friends! joy and fresh days of love
Accompany your hearts!
Wait in your royal walks, your board, your bed!
Come now; what masques, what dances shall we have,
To wear away this long age of three hours
Between our after-supper and bed-time?
Where is our usual manager of mirth? 35
What revels are in hand? Is there no play,
To ease the anguish of a torturing hour?
Say, what abridgement have you for this evening?
What masque? what music? How shall we beguile 40
The lazy time, if not with some delight?
There is a brief how many sports are ripe:
Make choice of which your highness will see first.
[Giving a paper]
'The battle with the Centaurs, to be sung
By an Athenian eunuch to the harp.' 45
We'll none of that: that have I told my love,
In glory of my kinsman Hercules.
'The riot of the tipsy Bacchanals,
Tearing the Thracian singer in their rage.'
That is an old device; and it was play'd 50
When I from Thebes came last a conqueror.
'The thrice three Muses mourning for the death
Of Learning, late deceased in beggary.'
That is some satire, keen and critical,
Not sorting with a nuptial ceremony. 55
'A tedious brief scene of young Pyramus
And his love Thisbe; very tragical mirth.'
Merry and tragical! tedious and brief!
That is, hot ice and wondrous strange snow.
How shall we find the concord of this discord? 60
A play there is, my lord, some ten words long,
Which is as brief as I have known a play;
But by ten words, my lord, it is too long,
Which makes it tedious; for in all the play
There is not one word apt, one player fitted: 65
And tragical, my noble lord, it is;
For Pyramus therein doth kill himself.
Which, when I saw rehearsed, I must confess,
Made mine eyes water; but more merry tears
The passion of loud laughter never shed. 70
What are they that do play it?
Hard-handed men that work in Athens here,
Which never labour'd in their minds till now,
And now have toil'd their unbreathed memories
With this same play, against your nuptial. 75
And we will hear it.
It is not for you: I have heard it over,
And it is nothing, nothing in the world;
Unless you can find sport in their intents,
Extremely stretch'd and conn'd with cruel pain, 80
To do you service.
For never anything can be amiss,
When simpleness and duty tender it.
Go, bring them in: and take your places, ladies.
I love not to see wretchedness o'er charged 85
And duty in his service perishing.
Why, gentle sweet, you shall see no such thing.
He says they can do nothing in this kind.
The kinder we, to give them thanks for nothing.
Our sport shall be to take what they mistake: 90
And what poor duty cannot do, noble respect
Takes it in might, not merit.
Where I have come, great clerks have purposed
To greet me with premeditated welcomes;
Where I have seen them shiver and look pale, 95
Make periods in the midst of sentences,
Throttle their practised accent in their fears
And in conclusion dumbly have broke off,
Not paying me a welcome. Trust me, sweet,
Out of this silence yet I pick'd a welcome; 100
And in the modesty of fearful duty
I read as much as from the rattling tongue
Of saucy and audacious eloquence.
Love, therefore, and tongue-tied simplicity
In least speak most, to my capacity. 105
So please your grace, the Prologue is address'd.
Let him approach.
[Flourish of trumpets]
[Enter QUINCE for the Prologue]
If we offend, it is with our good will.
That you should think, we come not to offend,
But with good will. To show our simple skill, 110
That is the true beginning of our end.
Consider then we come but in despite.
We do not come as minding to contest you,
Our true intent is. All for your delight
We are not here. That you should here repent you, 115
The actors are at hand and by their show
You shall know all that you are like to know.
This fellow doth not stand upon points.
He hath rid his prologue like a rough colt; he knows
not the stop. A good moral, my lord: it is not 120
enough to speak, but to speak true.
Indeed he hath played on his prologue like a child
on a recorder; a sound, but not in government.
His speech, was like a tangled chain; nothing
impaired, but all disordered. Who is next? 125
[Enter Pyramus and Thisbe, Wall, Moonshine, and Lion]
Gentles, perchance you wonder at this show;
But wonder on, till truth make all things plain.
This man is Pyramus, if you would know;
This beauteous lady Thisby is certain.
This man, with lime and rough-cast, doth present 130
Wall, that vile Wall which did these lovers sunder;
And through Wall's chink, poor souls, they are content
To whisper. At the which let no man wonder.
This man, with lanthorn, dog, and bush of thorn,
Presenteth Moonshine; for, if you will know, 135
By moonshine did these lovers think no scorn
To meet at Ninus' tomb, there, there to woo.
This grisly beast, which Lion hight by name,
The trusty Thisby, coming first by night,
Did scare away, or rather did affright; 140
And, as she fled, her mantle she did fall,
Which Lion vile with bloody mouth did stain.
Anon comes Pyramus, sweet youth and tall,
And finds his trusty Thisby's mantle slain:
Whereat, with blade, with bloody blameful blade, 145
He bravely broach'd is boiling bloody breast;
And Thisby, tarrying in mulberry shade,
His dagger drew, and died. For all the rest,
Let Lion, Moonshine, Wall, and lovers twain
At large discourse, while here they do remain. 150
[Exeunt Prologue, Thisbe, Lion, and Moonshine]
I wonder if the lion be to speak.
No wonder, my lord: one lion may, when many
In this same interlude it doth befall
That I, one Snout by name, present a wall;155
And such a wall, as I would have you think,
That had in it a crannied hole or chink,
Through which the lovers, Pyramus and Thisby,
Did whisper often very secretly.
This loam, this rough-cast and this stone doth show160
That I am that same wall; the truth is so:
And this the cranny is, right and sinister,
Through which the fearful lovers are to whisper.
Would you desire lime and hair to speak better?
It is the wittiest partition that ever I heard 165
discourse, my lord.
Pyramus draws near the wall: silence!
O grim-look'd night! O night with hue so black!
O night, which ever art when day is not!
O night, O night! alack, alack, alack, 170
I fear my Thisby's promise is forgot!
And thou, O wall, O sweet, O lovely wall,
That stand'st between her father's ground and mine!
Thou wall, O wall, O sweet and lovely wall,
Show me thy chink, to blink through with mine eyne! 175
[Wall holds up his fingers]
Thanks, courteous wall: Jove shield thee well for this!
But what see I? No Thisby do I see.
O wicked wall, through whom I see no bliss!
Cursed be thy stones for thus deceiving me!
The wall, methinks, being sensible, should curse 180
No, in truth, sir, he should not. 'Deceiving me'
is Thisby's cue: she is to enter now, and I am to
spy her through the wall. You shall see, it will
fall pat as I told you. Yonder she comes. 185
O wall, full often hast thou heard my moans,
For parting my fair Pyramus and me!
My cherry lips have often kiss'd thy stones,
Thy stones with lime and hair knit up in thee.
I see a voice: now will I to the chink, 190
To spy an I can hear my Thisby's face. Thisby!
My love thou art, my love I think.
Think what thou wilt, I am thy lover's grace;
And, like Limander, am I trusty still.
And I like Helen, till the Fates me kill. 195
Not Shafalus to Procrus was so true.
As Shafalus to Procrus, I to you.
O kiss me through the hole of this vile wall!
I kiss the wall's hole, not your lips at all.
Wilt thou at Ninny's tomb meet me straightway? 200
'Tide life, 'tide death, I come without delay.
[Exeunt Pyramus and Thisbe]
Thus have I, Wall, my part discharged so;
And, being done, thus Wall away doth go.
Now is the mural down between the two neighbours.
No remedy, my lord, when walls are so wilful to 205
This is the silliest stuff that ever I heard.
The best in this kind are but shadows; and the worst
are no worse, if imagination amend them.
It must be your imagination then, and not theirs. 210
If we imagine no worse of them than they of
themselves, they may pass for excellent men. Here
come two noble beasts in, a man and a lion.
[Enter Lion and Moonshine]
You, ladies, you, whose gentle hearts do fear
The smallest monstrous mouse that creeps on floor, 215
May now perchance both quake and tremble here,
When lion rough in wildest rage doth roar.
Then know that I, one Snug the joiner, am
A lion-fell, nor else no lion's dam;
For, if I should as lion come in strife 220
Into this place, 'twere pity on my life.
A very gentle beast, of a good conscience.
The very best at a beast, my lord, that e'er I saw.
This lion is a very fox for his valour.
True; and a goose for his discretion. 225
Not so, my lord; for his valour cannot carry his
discretion; and the fox carries the goose.
His discretion, I am sure, cannot carry his valour;
for the goose carries not the fox. It is well:
leave it to his discretion, and let us listen to the moon. 230
This lantern doth the horned moon present;
He should have worn the horns on his head.
He is no crescent, and his horns are
invisible within the circumference.
This lantern doth the horned moon present; 235
Myself the man i' the moon do seem to be.
This is the greatest error of all the rest: the man
should be put into the lanthorn. How is it else the
man i' the moon?
He dares not come there for the candle; for, you 240
see, it is already in snuff.
I am aweary of this moon: would he would change!
It appears, by his small light of discretion, that
he is in the wane; but yet, in courtesy, in all
reason, we must stay the time. 245
All that I have to say, is, to tell you that the
lanthorn is the moon; I, the man in the moon; this
thorn-bush, my thorn-bush; and this dog, my dog.
Why, all these should be in the lanthorn; for all 250
these are in the moon. But, silence! here comes Thisbe.
This is old Ninny's tomb. Where is my love?
[Thisbe runs off]
Well roared, Lion.
Well run, Thisbe. 255
Well shone, Moon. Truly, the moon shines with a
[The Lion shakes Thisbe's mantle, and exit]
Well moused, Lion.
And so the lion vanished. 260
And then came Pyramus.
Sweet Moon, I thank thee for thy sunny beams;
I thank thee, Moon, for shining now so bright;
For, by thy gracious, golden, glittering gleams,
I trust to take of truest Thisby sight. 265
But stay, O spite!
But mark, poor knight,
What dreadful dole is here!
Eyes, do you see?
How can it be?
O dainty duck! O dear! 270
Thy mantle good,
What, stain'd with blood!
Approach, ye Furies fell!
O Fates, come, come,
Cut thread and thrum; 275
Quail, crush, conclude, and quell!
This passion, and the death of a dear friend, would
go near to make a man look sad.
Beshrew my heart, but I pity the man.
O wherefore, Nature, didst thou lions frame? 280
Since lion vile hath here deflower'd my dear:
Which is -- no, no -- which was the fairest dame
That lived, that loved, that liked, that look'd
Come, tears, confound;
Out, sword, and wound 285
The pap of Pyramus;
Ay, that left pap,
Where heart doth hop:
Thus die I, thus, thus, thus.
Now am I dead, 290
Now am I fled;
My soul is in the sky:
Tongue, lose thy light;
Moon take thy flight:
Now die, die, die, die, die. 295
No die, but an ace, for him; for he is but one.
Less than an ace, man; for he is dead; he is nothing.
With the help of a surgeon he might yet recover, and
prove an ass.
How chance Moonshine is gone before Thisbe 300
comesback and finds her lover?
She will find him by starlight. Here she comes; and
her passion ends the play.
Methinks she should not use a long one for such a
Pyramus: I hope she will be brief. 305
A mote will turn the balance, which Pyramus, which
Thisbe, is the better; he for a man, God warrant us;
she for a woman, God bless us.
She hath spied him already with those sweet eyes.
And thus she means, videlicet: 310
Asleep, my love?
What, dead, my dove?
O Pyramus, arise!
Speak, speak. Quite dumb?
Dead, dead? A tomb 315
Must cover thy sweet eyes.
These My lips,
This cherry nose,
These yellow cowslip cheeks,
Are gone, are gone: 320
Lovers, make moan:
His eyes were green as leeks.
O Sisters Three,
Come, come to me,
With hands as pale as milk; 325
Lay them in gore,
Since you have shore
With shears his thread of silk.
Tongue, not a word:
Come, trusty sword; 330
Come, blade, my breast imbrue:
And, farewell, friends;
Thus Thisby ends:
Adieu, adieu, adieu.
Moonshine and Lion are left to bury the dead. 335
Ay, and Wall too.
No epilogue, I pray you; for your play needs no
excuse. Never excuse; for when the players are all
dead, there needs none to be blamed. Marry, if he
that writ it had played Pyramus and hanged himself
in Thisbe's garter, it would have been a fine 345
tragedy: and so it is, truly; and very notably
discharged. But come, your Bergomask: let your
The iron tongue of midnight hath told twelve:
Lovers, to bed; 'tis almost fairy time. 350
I fear we shall out-sleep the coming morn
As much as we this night have overwatch'd.
This palpable-gross play hath well beguiled
The heavy gait of night. Sweet friends, to bed.
A fortnight hold we this solemnity, 355
In nightly revels and new jollity.
Now the hungry lion roars,
And the wolf behowls the moon;
Whilst the heavy ploughman snores,
All with weary task fordone. 360
Now the wasted brands do glow,
Whilst the screech-owl, screeching loud,
Puts the wretch that lies in woe
In remembrance of a shroud.
Now it is the time of night 365
That the graves all gaping wide,
Every one lets forth his sprite,
In the church-way paths to glide:
And we fairies, that do run
By the triple Hecate's team, 370
From the presence of the sun,
Following darkness like a dream,
Now are frolic: not a mouse
Shall disturb this hallow'd house:
I am sent with broom before, 375
To sweep the dust behind the door.
[Enter OBERON and TITANIA with their train]
Through the house give gathering light,
By the dead and drowsy fire:
Every elf and fairy sprite
Hop as light as bird from brier; 380
And this ditty, after me,
Sing, and dance it trippingly.
First, rehearse your song by rote
To each word a warbling note:
Hand in hand, with fairy grace, 385
Will we sing, and bless this place.
[Song and dance]
Now, until the break of day,
Through this house each fairy stray.
To the best bride-bed will we,
Which by us shall blessed be; 390
And the issue there create
Ever shall be fortunate.
So shall all the couples three
Ever true in loving be;
And the blots of Nature's hand 395
Shall not in their issue stand;
Never mole, hare lip, nor scar,
Nor mark prodigious, such as are
Despised in nativity,
Shall upon their children be. 400
With this field-dew consecrate,
Every fairy take his gait;
And each several chamber bless,
Through this palace, with sweet peace;
And the owner of it blest 405
Ever shall in safety rest.
Trip away; make no stay;
Meet me all by break of day.
[Exeunt OBERON, TITANIA, and train]
If we shadows have offended,
Think but this, and all is mended, 410
That you have but slumber'd here
While these visions did appear.
And this weak and idle theme,
No more yielding but a dream,
Gentles, do not reprehend: 415
if you pardon, we will mend:
And, as I am an honest Puck,
If we have unearned luck
Now to 'scape the serpent's tongue,
We will make amends ere long; 420
Else the Puck a liar call;
So, good night unto you all.
Give me your hands, if we be friends,
And Robin shall restore amends.